Wednesday, June 14, 2017

Painting Big

                                   

This place is about 7 minutes from my house. I spent a beautiful afternoon painting plien air there a week ago. I took a few shots with my phone and one photo led to this 36 x 48" painting. I love painting big- have resolved to do a few more large scale pieces soon. It feels like being there when I'm working on a big piece.

This will be the final major painting that I'm taking to Calgary for the Stampede Art show. I might get a few more little ones done before I go. I'm getting excited, looking forward to being there again. The camaraderie with the other artists and the chance to talk to people about my work are my favourite things about the experience. It does feel like a marathon at times and the days are very long, but I feel blessed to be able to go.

Sunday, June 4, 2017

How now purple cow?


This little 12 x 16" painting is bound for the Western Art show at the Calgary Stampede. It's acrylic on panel and uses a combination of textural techniques with small brushwork and many layers on the cow. Don't have a title yet but maybe "Purple Cow".

Monday, May 15, 2017

Purple Sky


"Purple Sky" 30 x 40" oil

I haven't posted for quite a while so thought I would share a recent large piece. I combined two reference photos for this one- one for the sky and one for the landscape. The challenge was to make the colours harmonious.
This painting will go with me to the Calgary Stampede Western Art show in July.

Saturday, March 11, 2017

Aspen grove

Golden Grove 24 x 36" acrylic

This painting is another one on hardboard panel. I painted most of it with a lot of drippy, wet, textural techniques. Scraping occurred for some of the grasses. Then I used more controlled brush strokes where needed for the negative shapes, tree trunks and foliage.

It was the light and pattern of the image that made me want to paint it. Right now we are so starved for sunshine. Nice to experience it in a painting, if not real life....

Sunday, January 29, 2017

Mural assistant


Alan and I are busy working on a mural for the BC Farm Museum here in Fort Langley. This is panel #3. When I go to work on it alone, Havi comes along to keep me company. So far I'm really enjoying working on this scale and figuring out how to handle each image. Alan is the mural expert, so it's good to have his guidance. We're doing six 4 x 8 foot panels and they will be revealed on June 17th.

Saturday, December 3, 2016

Studio Dog


Years ago I read on Bob Genn's newsletter that he recommended artists get a dog to keep them company in the studio. Bob was very attached to his dog and took her almost everywhere. I lost my beloved australian shepherd, Blue, back in May of this year. I never thought I would find another dog that I could connect to like Blue, but 6 weeks ago, Havoc came into my life.

Havoc belonged to my youngest sister, Barb, who died tragically in a car accident almost 2 months ago. Barb left behind 4 border collies- Havoc was the only male and was the daddy dog to several litters of puppies.

I didn't think I could handle a border collie- we live in a townhouse and I have seen how ramped up border collies can be from my years competing in dog agility. However, I knew that Barb would be so  happy if I gave one of her dogs a home, so I decided to try. Havoc came into our house and has brought nothing but joy. He is kind, loving, calm, sensitive and very, very smart. He is also fun and a bit of a goof. He makes me get outside every day,  take time to play and is always ready with a hug if I need one. He has helped immeasurably in my grief around losing my sister.

The postscript to this story is that all four dogs have found wonderful homes. My artist sister, Suzanne, took Truly- the baby mama to Havoc's puppies. Suzanne and her husband, David, have found Truly to be every bit as special as Havoc. We get the dogs together regularly and they are always delighted to see each other.

So the studio has a comfy dog bed in it and I am never working alone anymore. I feel very blessed...

Tuesday, October 25, 2016

What to leave out


"Forest Giants"   24 x 30" acrylic


This is the latest one off the easel. It was painted on panel and my goal was to stay as loose as possible. A lot of the mark making was done with the chewed up brushes that I created with an exacto knife. I spent a lot of time on some areas and painted other areas in minutes. Of course the areas that I painted quickly are the ones I like best.

I'm finding this technique somewhat hit or miss. Maybe that's the risk of painting loose and fast- either you make a mess or you do something exciting.